Obviously not all audiophiles are musicians, or vise-verse, but one more major music related reason to buy an ipad is the fact that there are an enormous amount of professional audio creation apps available.
More Audiophile iPad Play! Streaming Concerts


Streaming Concerts
You probably already know about services like MOG, Rdio, and Spotify, which can bring huge libraries of music to your iPad for a relatively small monthly fee. But you may already be paying a monthly fee to a service that has plenty of streaming music available. You just haven't thought of it in those terms yet. I'm talking about Netflix streaming content. Bear with me on this because I think it is worth it.
For $7.99 a month, Netflix offers a big selection of streaming movies and TV shows. A less obvious bit of content that I hadn't thought of until recently is their fairly robust catalog of live musical performances. There is some really great stuff to be seen here: searching "concert" gives a large result full of all kinds of music. You get highly recognizable artists - Dean Martin, Tony Bennett, Muddy Waters, Duke Ellington, Deep Purple, Johnny Cash, Frank Sinatra, Neil Diamond, Bill Evans Trio. You also get plenty of slightly lesser known but no less interesting performers---Bukka White, Carlinhos Brown, Montserrat Caballe, Steeleye Span, Roosevelt Sykes, Chieli Minucci. I don't have an exact number but there must be at least several hundred titles to choose from, with the average length being at least an hour. That's quite a bit of music to be heard (and seen). Some choices have more than just concert footage; you'll find some interviews, biographies, and general documentary type stuff as well. But the majority of it will have plenty of music.
Sound quality varies from one selection to the next---a live jazz performance from the 1950 is obviously going to sound different than a modern arena rock concert. And no, it isn't lossless audio. Netflix has not returned my emails about what bitrate and compression algorithms they use. Even with that info, it would be difficult to compare to something like an mp3 bitrate because Netflix streams contain both video and audio. Still, I find that most concert footage has decent enough sound, and I'd guess it is roughly equivalent to 192k mp3.That obviously won't replace your reference recordings but it is good enough to be enjoyable---as good or better than Pandora or Last.fm for example. It would be foolish to write off a massive treasure chest of amazing performances simply because they aren't of ideal quality. If I happened upon a vast collection of concert footage on VHS I'd certainly do my best to hunt down a VCR to enjoy them, despite knowing that they aren't necessarily perfect quality. The same concept applies here.
There is one trick I've found to locating the best content more easily. The Netflix app only allows for general searching, and offers similar suggestions from there. So starting with Herbie Hancock, Netflix suggests Jaco Pastorius, Art Blakey, Miles Davis, Kim Waters. Or start with Pearl Jam and Netflix suggests U2, Pink Floyd, Rolling Stones. This is great for jumping around but it tends to primarily give you mainstream artists. Instead, point your browser to the Netflix website and log in. It will try to refer you to the Netflix app, but ignore that and go to the main website. From there, click on "Genres" and choose "Music". Now we see things broken down into categories like Urban & Dance, World Music, Rock & Pop, Latin Music, etc. Each one of those breaks down into even more sub-genres. This is where you can really explore and find some great stuff that may have otherwise flown under your radar. Click on the title you want and it automatically launches the Netflix app for playback. Browsing sometimes runs a little slow on the iPad so this part may be easier to do on a real computer. From there just add the titles to your queue for later viewing.
Conclusion
I'll say it again---the iPad is an awesome tool with a wide variety of potential uses. Yet it is up to the user to get the most out of it. Buying it simply for browsing the internet and sending email seems like kind of a waste---why not use a Nook Tablet or Kindle Fire since they cost less than half the price? The true value of the iPad lies in the multitude of things it can do that no other tablet can. In terms of audiophile uses, Apple's device is still well ahead of the competition, and with new apps coming out all the time it may stay that way for a while. We can lament the newly released model not having things like SPDIF output or native FLAC support, or we can use our own workarounds to accomplish those things cheaply and easily. With a little knowledge and a small investment in accessories and apps, the iPad absolutely deserves a place in the audiophile arsenal.
[Editor's Note: Thanks John! Just wanted to say that I watched "Classic Albums: Steely Dan: Aja" on Netflix a couple of days ago and you're right, Netflix is a lovely and compelling way to access an alternative and rich music experience.]
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I'm all for paying a little extra for cable durability, but $120 before shipping seems a little excessive!


John, great, detailed writeup, but I take issue with your assessment of the new iPad as an incremental update. Admittedly, the new iPad is all about the new display, but in a product that is defined by its display, such a drastic improvement should not be written off as incremental. The iPad 2 had a display with the pixel count of a monitor from a decade ago; the new iPad has a display that has more pixels than a 1080p HDTV.
I've found the difference remarkable. If that doesn't count as something more than an incremental improvement, I'd be interested to know what Apple needs to add to go beyond an incremental update.
Although personally I'd love to see the USB port have enough power to drive a headphone amp/DAC 

The iPad will power the Pico DAC/Amp w/ the camera connection kit 


I really like the Ipads for what they are, but see the small memory as a major drawback, 16 to 64 Gigs( and the premium apple charges for memory and no SD slots is a crime, IMHO) is a tiny fraction of my lossless files and I wouldn't use it for serious listening for that reason alone, I love my Ipod classic and 160 Gigs of storage, sure it wont do the fancy EQ, but I enjoy my music as is, sure some recordings have messed up production and might benefit from some EQ. For me if I get to caught up in the gadgets I tend to loose the connection to the music, I love to get lost in the listening for hours, sometimes ignorance is bliss. For travel and when I need video access, I use an MSI Netbook with 500 Gig Drive, sure it isnt as slick as the apple gadgets, but really gets the job done, and with Win7 on all my devices, homegroup makes moving files around a breeze.

I wouldn't recommend buying an iPad with the intent of strictly using it as a dedicated music server only. You're right - simply not enough built-in space for that. A netbook, or a Squeezebox Touch, or any number of other devices are better suited. Yet there are ways around this - Home Sharing and UPnP are two methods of storing your library elsewhere and accessing through the iPad.
My point is merely this - plenty of people have an iPad already. Why not learn to make the most of it?

Comment:
I agree with all of your points, especially on getting the most out of a device many of us already own.
My iPad is basically the world's-best remote control, for a Mac mini connected (via asychronous USB) to my home stereo. I use "Remote" to control iTunes on my Mini, and a 1.5TB drive connected to the Mini ensures I never run short of space for my uncompressed music.
If I want to listen to music on MOG or Pandora, I use Splashtop remote to control those programs, which are located on the Mini. the advantage of this is that my Mini is ethernet connected to Fios, so I don't get the dropouts I was sometimes getting when I streamed the music from the iPad. Also, MOG is cheaper on a desktop than on a mobile device.
I also put an Airport Express behind my stereo, which is connected by toslink cable. Whenever I watch a video on my iPad, I switch the stereo DAC input from USB to TOS and listen to the video through my stereo.
Question:
Considering the quality of the DAC inside the iPad, can you really hear the difference between, say 320kbps files and lossless, or high resolution? I can hear the difference on my stereo, but not on the iPad using the headphone output. Can you hear it with the Line-Out cables?
Put another way, at what point does the sound quality of the iPad DAC become the weak link in the chain?

Great comment! I really like Splashtop as well. I hadn't used it much until recently so I didn't include it in the article. Now that I've got more experience with it, I highly recommend it.
Good point about getting the cheaper $5/month version of MOG by using that method.
As for your question:
Opinions about SQ will obviously differ from person to person. In my view, the iPad DAC sounds pretty stinking good. They use a Cirrus Logic embedded solution (CS42L63 to be exact) which is surely better than what you'll find in the average soundcard, CD, or DVD player. Is it audiophile grade? Depends on your definition I guess. But if you Google "iPad RMAA" you can see some real world examples of how well it performs.
In my case, I've honestly never sat down and done a specific test of 320k, FLAC, and hi-res material on the iPad. I mostly use the FLAC playback apps because that's the format I store my library in, so it saves me a conversion. It's worth noting that hi-res material will generally be recorded and mixed exceedingly well, often superior to their redbook siblings. So even if the iPad is a bottleneck for hearing the improvement based on sample rate, it will likely still sound better for that reason.

John, I've been using the CCK with my ipad for a few months and rip all my cd's to Apple lossless format but dont think i am making the best use of itunes for some reason... are there other places you can buy higher quality music that can be stored in an itunes... that actually has a decent library of modern music... i.e. not HD Tracks? also when you buy an AAC file from itunes is there any point to converting it to lossless format

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