Stephen Mejias
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Stephen Mejias Mar 19, 2011 1 comments
I haven’t had much luck with in-ear headphones.

Kelli’s Etymotic ER-6i earphones ($99) offered a well-balanced sound, with satisfying bass and natural highs, but I found them extremely uncomfortable and I had a difficult time getting them to fit properly in my ear canals. I liked Shure’s SE210 ($149.99) and SE115 ($139.99), but they felt large and heavy in my ears, and friends often balked at their prices. Don’t get me started about the V-MODA Remix Metal in-ears ($99.99); their highs were so pronounced and glaring and bass so completely absent, I wanted to run away from my music—never a good sign. (But I’ll take the blame here: I should’ve known what to expect from an earphone with the word “Metal” in its name. I have since steered clear of models designed to look like bullets, arrows, and jet engines or whose product literature uses the words “crisp,” “sharp,” or “edgy.”)

Stephen Mejias Mar 18, 2010 2 comments
I was looking out the window. I was waiting for the plane to take off. I was wearing Monster Cable's Beats by Dr. Dre Studio headphones ($349.95). I was listening to Pens' burning, fuzzed-out, 27-minute onslaught, Hey Friend, What You Doing? (320kbps MP3; LP, De Stijl IND071). I was shouting with sudden shock and pain.

"Ow! What?"

My brother-in-law had reached across the aisle and punched me in the leg. He'd been trying to get my attention for a while.

"How do the headphones sound?"

"They sound good, jerk. I couldn't hear a thing you were saying." Apparently, the Beats' noise-canceling feature was working as advertised.