LATEST ADDITIONS

Ken Micallef  |  Apr 17, 2024  |  2 comments

Rhythm Distribution’s Craig Hoffman teamed up with Garrard, Goldmund, and Tannoy to unveil a beautiful-looking, primarily analog rig at AXPONA. Kat Ourlian—Global Head of Sales and Marketing for SME—was on hand to spin vinyl; she had Room 660 rocking from the first needle-drop.

Rogier van Bakel  |  Apr 17, 2024  |  0 comments
Magico turns 20 this year, but founder and chief designer Alon Wolf isn’t the type for gauzy remembrances. In Magicoland, looking ahead beats looking back, so we’ll have to marvel some other time at how the Californian brand has shot to the top of the high-end heap.
Rogier van Bakel  |  Apr 17, 2024  |  1 comments
On the 12th floor of the Schaumburg Renaissance hotel, visitors found a cluster of Fidelity Imports rooms that highlighted one strong foreign brand after another.
Robert Baird  |  Apr 17, 2024  |  0 comments
In the late 1960s and the early years of the next decade, tenor saxophonist Joe Henderson, like many of his contemporaries, was listening to such albums as Miles Davis's Filles de Kilimanjaro and Miles in the Sky and pondering what it meant for his music. During this period, for better or worse, the rhythms and aggressive approach of rock music, including the use of electric rather than acoustic instruments, were mixing with jazz and giving birth to fusion. In hindsight, it seems inevitable that these two vital genres, both of which prize improvisation—be it on electric guitar or tenor saxophone—should become each other's major influence. Jazz fusion based in jazz (Mahavishnu Orchestra, Tony Williams Lifetime, Return to Forever), and jazz rock based in rock (Chicago, Blood Sweat & Tears, Soft Machine), evolved into major genres in the 1970s. From these tendrils, jazz pop, jazz funk, M-Base, and even smooth jazz have continued to spread.
Ken Micallef  |  Apr 16, 2024  |  1 comments
Rogue Audio's Nick Fitzsimmons and Bill Magerman ran a room that operated smoothly and sounded smooth.
Mark Henninger  |  Apr 16, 2024  |  0 comments
YG Acoustics speakers were featured in several rooms at AXPONA 2024. The highlight for me was a room featuring the Carmel 3 speakers ($29,800 per pair), the entry point to the company's Reference range.
Jim Austin  |  Apr 16, 2024  |  First Published: Apr 14, 2024  |  0 comments

Harmonia—the recently renamed distribution arm of hi-fi company Upscale Audio—had four rooms on the 12th floor at AXPONA.

Jim Austin  |  Apr 15, 2024  |  6 comments

Ever since the announcement some two weeks ago, I've been eager to hear the SVS Ultra Evolution Pinnacle loudspeakers, which, at $2499 each—or, you guessed it, $4998/pair—are cheap in high-end terms but quite expensive for SVS.

Jim Austin  |  Apr 15, 2024  |  First Published: Apr 14, 2024  |  0 comments

In Schaumburg C, Rutherford Audio set up camp—and what a camp it was! Electronics by Acoustic Arts, analog by Acoustic Signature and Vertere—two turntables—and loudspeakers by Stratton Acoustics, a speaker line I had not previously heard.

Jim Austin  |  Apr 15, 2024  |  0 comments

When I walked into this room, just before closing time on Sunday, the show’s last day, they were spinning vinyl. Two things are notable about that fact, at least to me.

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