LATEST ADDITIONS

Robert Schryer  |  Mar 29, 2024  |  0 comments
TAD was demonstrating a beefy all-TAD system, beefy in looks and sound. The result? As I listened, "An iron fist in a velvet glove" came to mind.
John Atkinson  |  Mar 29, 2024  |  0 comments
When I first got interested in audio in the UK, in the 1960s, four English brands dominated the domestic loudspeaker scene: Goodmans (founded in 1923), Celestion (whose first loudspeaker was launched in early 1925), Tannoy (which started making loudspeakers in 1928), and Wharfedale. Wharfedale was the youngest of these brands, founded in 1932 in Yorkshire—the land of the Dales—by Gilbert Briggs.

Wharfedale is still a British brand, with its R&D department in the UK, but it's now owned by the IAG Group, which was founded in Hong Kong in 1991 and is based in Shenzen, China. In addition to Wharfedale, IAG owns the Audiolab, Castle Acoustics, Leak, Luxman, Mission, and Quad brands. In recent years, Wharfedale has been introducing redesigned versions of some of its classic speakers. Herb Reichert favorably reviewed the three-way Linton Heritage loudspeaker in September 2019; then, at the 2022 Munich High End Show, Wharfedale introduced the subject of this review, the Heritage Series 90th Anniversary Dovedale.

Robert Schryer  |  Mar 28, 2024  |  0 comments
If the AudioNec Evo 3 speakers ($125,000/pair) in the top photo look familiar, it's no accident. They're from the same company that made the Evo 1 speakers in my last Luna Cables / Thöress report. But this time, they have three more modules, so the Evo 3 is much taller than the Evo 1.
Alex Halberstadt  |  Mar 28, 2024  |  6 comments
Ever notice that the language we use to talk about sound can be pretty aggressive? Reviewers often write about amplifiers "taking control" of a speaker, possibly "ironfisted control," especially if the amplifier in question happens to be a "juggernaut." In this particular linguistic trash fire, we also find "razor-sharp transients," "hair-raising dynamics," and that ickiest of descriptors, "bass slam." If words could smell like hair gel and drugstore cologne, these might.

All this verbiage is describing brute force, which we might use to push open a heavy door. But there's another kind of force that we encounter in the world, and consequently in audio, captured in the expression "life force." It denotes a sense of vitality and presence that isn't readily perceived by the senses—something lingering just out of reach of our rational minds. This force can be experienced in the terse saxophone solos of the young Sonny Rollins, the eerie abstract paintings of Mark Rothko and Pat Steir, and the deceptively quiet poems of Elizabeth Bishop. If you've ever been drawn in by one of the squat, gouged, lopsided jars made by a traditional Japanese potter, you know what I'm talking about.

Rogier van Bakel  |  Mar 27, 2024  |  22 comments
The late Ken Fritz discusses his legendary audio system, from the YouTube video One Man’s Dream

When Ken Fritz died, many people wondered what would become of his stereo system. Fritz's rig was the stuff of legend. The audiophile from Chesterfield, Virginia, had built much of it with his own hands, including line-array speakers too tall to fit in most people's homes. They took 5400 hours to complete and were appraised at more than $200,000. He also designed and built a three-arm turntable that sat on a unique 1500lb antivibration platform. Fritz felt that his "Frankentable" rivaled or bested record players costing well into six figures.

That was just the beginning.

Robert Schryer  |  Mar 27, 2024  |  1 comments

What can you get for $4750? A lot, apparently.

Robert Schryer  |  Mar 27, 2024  |  2 comments

Audio Note exhibiting at the Montreal audio show? Nothing new. Audio Note exhibiting an all-Audio Note system? Again, nothing new. Audio Note speakers that are not placed in the corners and are on tall stands? That's out of the ordinary.

Robert Schryer  |  Mar 27, 2024  |  0 comments

Hearken Audio always comes to the Toronto and Montreal Audiofests with a trove of gear, much of it exotic to me either because I've never heard of it or rarely see it anywhere else. It is invariably intriguing from a purist-artisinal standpoint and usually superlative sounding.

Robert Schryer  |  Mar 27, 2024  |  1 comments

Soltanus Acoustics from Hungary and Brooklyn Audio from Nova Scotia [corrected] served up a seductive system consisting of a pair of electrostatic Soltanus Acoustics ESL Virtuoso Mkll speakers ($24,999/pair), an Auralic Aries G2.2 streamer ($8199), an Auralic Vega G2.2 DAC ($10,699), a Zesto Audio Leto Ultra Mkll preamplifier ($15,580), a mono/stereo Hegel H30A amplifier ($23,995), and a Synergistic Research router ($3000). Filling out the system were a variety of AudioQuest cables (various prices), an AudioQuest Niagara 5000 power conditioner ($7500), and a Quadraspire SVT audio rack ($3000).

Robert Baird  |  Mar 26, 2024  |  0 comments
By all accounts, Eunice Kathleen Waymon, aka Nina Simone, who passed in 2003, was a troubled person and a brilliant artist. Why she was not more acclaimed during her lifetime is a question several recent film projects have tried to answer. Did her fierce stand on civil rights lose her fans? Or was it, as the films have implied, a case of self-sabotage driven by mental illness? Whatever the answer, her inimitable work continues to resonate with ever more force and depth.

A mix of tracks left over from sessions Philips recorded in 1964 and 1965, Wild Is the Wind has been reissued on 180gm vinyl by Universal Music and Acoustic Sounds. Remastered by Ryan Smith at Sterling Sound and plated and pressed at QRP in Salina, Kansas, the record sounds warm and evocative, capturing the nuances of Simone's complex vocal powers.

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