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Wes Phillips Posted: Sep 01, 2005 0 comments
The Emmeline SR-71 portable headphone amplifier ($395) is small but not light. Housed in an extruded-aluminum chassis with a bolt-on faceplate and a rear panel and battery cover that attaches with a thumb-screw, it measures 3.5" by 2.5" by 1.5" and weighs 11oz. That sounds light, especially compared to some of the headphone amps I've carted around in the past—not to mention their four–D-cell extended power supplies—but in the iPod era, it's the portable equivalent of a class-A power amp. So why would anybody be willing to lug it around?
Robert J. Reina Posted: Jun 03, 2002 0 comments
For many years I have used three sets of headphones, all from Grado Laboratories: the Reference RS-1 ($695), the SR-125 ($125), and the SR-60 ($60). I've always favored Grado headphones because the minimal-resonance design philosophy that I feel is responsible for the uncolored midrange of their moving-iron cartridges extends throughout their headphone range as well. Recently, however, I've achieved a new perspective regarding the SR-125 'phones that I felt would be of interest to Stereophile readers.
Thomas J. Norton Posted: Feb 07, 1994 0 comments
You'd probably be surprised to learn that headphones are the most common means for listening to music. No, I didn't get that from a book, but from personal observation. I'm referring here to personal portable stereo listening—the ubiquitous Jogman with which a whole generation has retreated into its own private world, isolated from traffic noise, muggers, and, at home, housemates or parents screaming "Turn it down!"

Audiophiles discovered the benefits of headphone listening years ago. I still remember my first set of Koss Stereophones—nirvana for a college student in a tiny, shared dorm room. This ability to listen privately without disturbing—or being disturbed by—others remains the major reason audiophiles seek out good headphones.

Thomas J. Norton Posted: Feb 02, 1994 1 comments
While headphone listening remains secondary to that of loudspeakers for most serious listeners, it's still an important alternative for many. And while good conventional headphones exist, electrostatics are usually considered first when the highest playback quality is required. As always, there are exceptions (Grado's headphones come immediately to mind), but most high-end headphones are electrostatic—such designs offer the benefits of electrostatic loudspeakers without their dynamic limitations. Last year I reviewed the Koss ESP/950 electrostatics (Vol.15 No.12), a remarkable set of headphones from the company that practically invented headphones for serious home listening. Here I listen to examples from two other companies, each known for its headphones since Pluto was a pup.
Thomas J. Norton Posted: Dec 03, 1992 2 comments
Love 'em or hate 'em, headphones serve a purpose. My first headphones were Kosses, and they were perfect for use in a college dorm. While I've always owned a pair or more over the years, somehow they never became my primary mode of listening, except in situations where using loudspeakers at satisfying levels risked eviction, bodily harm, or both.

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